Chalk Milkwort Beachy Head

Price range: £40.00 through £310.00

Description

Chalk Milkwort Beachy Head

Around the cliffs of Beachy Head in the South Downs, the delicate flowers of milkwort create, among the grasses, a blue blanket over the chalk soils. These minuscule blooms contrast with the imposing scale of the white chalk cliffs and the English Channel. This print is a record of my daily spring walks, runs, and night studies of wildflowers in 2025.

Digital pigment print from original ink drawings. Printed on fine art paper using archival inks. Available in sizes A0,A1, A2, A3 or A4 as limited editions of 100. Each print is individually signed and numbered.

Chalk Milkwort in the South Downs

Chalk Milkwort is a tiny wildflower that thrives in the short, sun-exposed grasslands of the South Downs. It grows close to the ground, forming scattered patches of blue, pink, or white blooms across the thin chalk soils. Despite its small size, it plays an important role in these grassland communities, flowering from late spring through to midsummer and providing nectar for small bees and butterflies.

Because the chalk downland turf is kept open through grazing and natural erosion, Milkwort succeeds in places where the soil is too shallow and nutrient-poor for larger plants. Its presence is a marker of healthy, species-rich chalk grassland, one of the rarest and most biodiverse habitats in Britain.

History of Beachy Head and the Lighthouse

Beachy Head has long been a striking landmark on the English Channel, its white chalk cliffs rising over 160 metres above the sea. For centuries, the headland has been both a navigational point and a hazard. Strong tides, shifting currents and sudden fog made this stretch of coast notorious for shipwrecks.

To reduce the danger, the Beachy Head Lighthouse was built in 1902. Unlike earlier lights placed on top of the cliffs, this lighthouse was constructed at the base of the headland, directly on the wave-cut platform. Its red-and-white banded tower was designed to stand out clearly against the white chalk backdrop. Built by engineers using a temporary cableway from the cliffs above, the lighthouse was assembled stone by stone during low tides.

Before this lighthouse, a predecessor known as the Belle Tout Lighthouse (completed in 1834) stood on the cliff top. Belle Tout often suffered from sea mist and fog, which obscured its light, so the decision was made to move the beacon closer to sea level where visibility was clearer. Belle Tout remains on the clifftop today and was famously moved inland by 17 metres in 1999 to prevent it from being lost to coastal erosion.

Beachy Head continues to erode slowly under natural forces—wind, rain, and waves—and the lighthouse remains an active marker, standing in constant conversation with the tides and the chalk cliffs above.

For this print, I created this small concept painting — a 12 x 18 cm ink and pastel work on a page from a 1912 edition of The Oxford Book of Victorian Verse. It’s part of a collection of small studies exhibited at Indelible Art Gallery in Brighton in Nov 2025.

Photograph of the base drawings for the art print. I draw these on A3 sheets of specialised marker paper with calligraphic brushes, fine-line ink pens, sponges, sand paper and other materials. The medium is watercolour, ink and charcoal. I scanned these to form the main line work and patterns in the final print.
This print pays homage to a lovely book I found a few years ago. Wild Flowers of the Chalk (1947) is a King Penguin book by John Gilmour, illustrated by Irene Hawkins, celebrating the delicate flora that thrive on England’s chalk downs. It combines botanical insight with beautifully detailed colour plates. I often take this book with me on my walks along the South Downs.

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Additional information

Dimensions N/A
Print sizes: standard portrait and square

A0 print size, portrait, A1 print size, portrait, A2 print size, portrait, A3 print size, portrait, A4 print size, portrait

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