Chalk Piddocks – Angel Wings – Beachy Head

Price range: £40.00 through £310.00

Description

Chalk Piddocks – Angel Wings – Beachy Head

At low tide, the rock pools below the cliffs of Beachy Head reveal hidden marine life: seaweeds and chalk pebbles that have been perfectly hollowed out. These smooth chambers are made by piddocks, also known as angel wings, which bore into the soft chalk to create their homes. This print is a record of my daily spring walks and runs and night studies of wild flowers in 2025

Digital pigment print from original ink drawings. Printed on fine art paper using archival inks. Available in sizes A0,A1, A2, A3 or A4 as limited editions of 100. Each print is individually signed and numbered.

Chalk Piddocks in Sussex

Piddocks; often called angel wings for the delicate shape of their shells; are bivalve molluscs specially adapted to live in soft rock. Along the Sussex coast—where chalk meets the sea—they carve out burrows in the cliff base, boulders and tidal platforms. Using a combination of mechanical rasping and chemical dissolution, they slowly grind themselves a chamber that protects them from waves and predators. Once settled, they remain there for life.

Beachy Head – Beachy Head West Nature Reserve

The shoreline beneath Beachy Head forms part of the Beachy Head West Marine Conservation Zone, a protected stretch of chalk coast running between Brighton and Eastbourne. It is one of the few places in the world where submerged chalk reefs, cliffs and wave-cut platforms meet in a continuous landscape shaped by sea, wind, and tide.

The reserve is known for its rich chalk grassland above the cliffs and specialised marine life below. The thin, sun-exposed turf supports Horseshoe Vetch, Thrift, and other plants that are adapted to chalk soils and grazing. Offshore and in the intertidal zone, the chalk itself becomes habitat—shelter for soft-bodied marine species, algae, sponges, and piddocks (angel wings) that bore into the chalk to create their homes. These burrows change the rock over time, leaving behind sculptural hollows and honeycombed surfaces.

For this print, I created this small concept painting — a 12 x 18 cm ink and pastel work on a page from a 1912 edition of The Oxford Book of Victorian Verse. It’s part of a collection of small studies exhibited at Indelible Art Gallery in Brighton in Nov 2025.
Photograph of the base drawings for the art print. I draw these on A3 sheets of specialised marker paper with calligraphic brushes, fine-line ink pens, sponges, sand paper and other materials. The medium is watercolour, ink and charcoal. I scanned these to form the main line work and patterns in the final print.

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Additional information

Dimensions N/A
Print sizes: standard portrait and square

A0 print size, portrait, A1 print size, portrait, A2 print size, portrait, A3 print size, portrait, A4 print size, portrait

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