Ce Bleu Dungeness Derek Jarman Prospect Cottage
‘Ce Bleu Dungeness Derek Jarman Prospect Cottage’
This print shows Derek Jarman’s Prospect Cottage and the surrounding landscape in Dungeness, East Sussex.
Panoramic format. Print size 124 x 30.5 cm approx. Signed print from a limited edition of 100. From original ink drawing to which I apply colour digitally. Printed on fine art paper using archival inks.
’In the afternoon, the wind got up and the sun came out, the bees took off uncertainty, the flowers danced.’ (Wednesday 19 Derek Jarman’s diary.)
I first visited Dungeness in 2012. I felt captivated by the landscape. At Dungeness you can see the modest Derek Jarman’s fisherman’s cottage surrounded by his garden . The cottage building simply sits on a bed of shingles and is surrounded by a vast sky that is scarcely interrupted in the horizon. The landscape conveys the solace of fierce emotion combined with the comfort of monastic retirement.
The Garden of Prospect Cottage
Derek Jarman created in what is designated as the only desert in the UK a remarkable garden. He planted sea kale, Iberian gorse, Californian poppies, valerian, lichen. And similarly whilst living in Dungeness Derek found beauty in decay, as he used to beachcombing the shore to pick up old rusted irons and half rotten timbers for his garden.
His garden was an experiment of life and art, of creation and survival where native and foreign plants grow together. Possibly mimicking the creative society he often surrounded himself with. To illustrate this he would describe how he would find pleasure in the smallest flower that with a struggle grows in the shingle.
As a curious note, I created the blooms that I show in my print as potato prints. You can see me in action in my kitchen making the prints of the flowers of the valerian, Californian Poppies, Gorse and Foxgloves.
Research on the life of Derek Jarman leads to fascination and frustration at the same time. I have read a few of his books and visited his house in Dungeness. However this has only given me a glimpse of his humanity and work.
In his film Blue there are seventy-six minutes of luminous blue screen complemented by a meticulously recorded soundtrack featuring music recorded at Brian Eno’s studio and lyrical and autobiographical text read by Nigel Terry, Tilda Swinton and, at one unforgettable moment, by Jarman himself. Jarman’s own confrontation with blindness in the course of his treatment for AIDS.
In his book ‘At your onw risk’ he relates his journey of being gay during the AIDS crisis.
Similarly his other book ‘Derek Jarman’s Garden’ describes his man made paradise in the arid landscape of Dungeness.
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